“When I am writing, my problems become invisible, and I am the same person I always was. All is well. I am as I should be.”
Roger Ebert, RIP
“Where your feet take you, that is who you are. My feet are crossed under the table where I write. The heel of one is pressed against the instep of the other. My legs are broken.”

John Hodgman’s advice to writers: writing what you know is not enough—you actually have to know interesting things. And the only way to learn interesting things is to experience life; to orient your life in such a way that you regularly encounter things to incorporate into your work.

“Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, and not your games with language, which will be the most compelling and seductive element in your style.”
Kurt Vonnegut’s advice on writing (via explore-blog)
“Do not do so as an academic critic, nor as a person drunk on art, nor as a barbarian in the literary market place. Do so as a sensitive person who has a few practical hunches about how stories can succeed or fail. Praise or damn as you please, but do so rather flatly, pragmatically, with cunning attention to annoying or gratifying details. Be yourself. Be unique. Be a good editor. The Universe needs more good editors, God knows.”
From Cabin Porn:

E.B. White writing in his boat shed overlooking Allen Cove, 1976.
E.B. (Andy to his friends) wasn’t so much a hermit, or even a farmer, as a paid correspondent to the natural world. His essays and journals are frank yet soaring; every word a testament to his overwhelming affection for quiet, observant, country living.


Cabin, water, typewriter, quiet living. Sounds like a dream life to me.

From Cabin Porn:

E.B. White writing in his boat shed overlooking Allen Cove, 1976.

E.B. (Andy to his friends) wasn’t so much a hermit, or even a farmer, as a paid correspondent to the natural world. His essays and journals are frank yet soaring; every word a testament to his overwhelming affection for quiet, observant, country living.

Cabin, water, typewriter, quiet living. Sounds like a dream life to me.

“If something inside you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write towards vulnerability. Don’t worry about appearing sentimental. Worry about being unavailable; worry about being absent or fraudulent. Risk being unlikes. Tell the truth as you understand it. If you’re a writer, you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.”

—Anne Lamott, Bird by Bird

I reread Bird by Bird this past week. Anne Lamott’s thoughts on writing (and, really, all creative work) is inspiring, hopeful, honest, and beautiful. I wish I could write with her honesty and integrity and hope the work I do feels like that. I can’t recommend this book enough.

I watched Robin Sloan’s talk from the Do Lectures a few nights ago and I can’t seem to stop thinking about it. Sloan discusses his work as a writer and why he feels it’s important to leave fingerprints for the future. It’s short—only about twenty minutes—and a talk I imagine I’ll return to often when I’m struggling with the reasons why I do what I do.

The spot

It’s 11:00 on the uptown R train. At the 23rd St. stop, an older gentleman steps onto the car and pauses in the doorway as he scans the half-empty seats. A smile slowly speads across his face. Whispering, as if talking to himself, he slowly walks towards the woman in the corner seat. She’s smiling too, their eyes are locked. He slides into the seat next to her and she removes her headphones as they lean in for a kiss.

I quietly observe this interaction from the other side of the car. Something about these few minutes seem strangely ritualistic. I like to think they do this every night. After a long day at work, they’ve arranged to meet here.

In that seat.

In this car.

At this stop.

On this train.

At 11:00pm.

The corner seat on the uptown R train is theirs. In the middle of the huge city, they’ve carved out a spot to meet so every night, at 11:00, they know where to find each other.

When I got off the subway a few stops later, they were exchanging stories about their days. I smiled as I stepped out of the car onto the platform. The city is moving all around them but to those two that seat in that car on that train was their universe. Because every night at 11:00pm, that’s the only spot that matters. Everything else fades away.

“99% of my time is spent procrastinating as compared to 1% of actual writing: a terrible ratio. We procrastinate because we’re afraid of doing something badly, or because we’re trying to avoid something onerous. Of course I’m trying to defend my own procrastination here, but it seems to me that if you’re not a little afraid when you sit down to write something, then you’re doing something wrong.”
Oliver Miller, Why I Write
“Once you’ve truly begun, slow down. The difference between publishing two good books and forty mediocre books is terribly large. Don’t expend energy in writing and publishing that would be better used in your family or community. Become tempered by life. Make compromises for love. Provide a service to the world. These experiences form the adult mind. Without them both you and your work will remain juvenile.”