Chapter One. He adored New York City. He idolized it all out of proportion. Eh uh, no, make that he, he romanticized it all out of proportion. Better. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin. Uh, no, let me start this over.
The forgoing of his traditional white-Windsor-set opening credits on a black screen, Woody Allen’s Manhattan opens with a voiceover read by Allen’s character Isaac Davis, while black and white images of city slowly cycle through sets the film up as not just a love story, but as Allen’s love letter to New York.